"[Joe Frank] is one of the great, original radio performers. He's created a sound and style for himself - a complete aesthetic that's entirely his own. I first heard him when I was 19 and it changed everything for me. His work demonstrated the intensity and emotion that the medium is capable of; ingenious…fantastic."
Ira Glass, This American Life
"[Joe Frank is] the most imaginative, literate monologist in radio today... If a microphone could capture the nether recesses of the modern psyche, it would sound like Frank's absurd comical excursions: Radio Vertigo."
The Village Voice
"Joe Frank is an original whose work has helped form some of the most eccentric, dark and interesting parts of public radio's personality. "
Terry Gross, Fresh Air
"Joe Frank is an invaluable warrior who stands in defense of our fears, our vanities and our forever-eroding sense of ourselves. He transforms the everyday banality of the human comedy into an inspired weirdness that feeds on pathos and irony, and feels a lot like revelation. Sartre would have called it nausea; Frank makes it art."
"Joe Frank is a singular voice in radio. What he has done is hypnotic, psychotic, neurotic, sad, terrifying, and some of the funniest stuff I have ever heard anywhere. I can't think of another radio performer who has come close to achieving this kind of alchemy."
Charlie Kaufman, filmmaker
"You don't have to close your eyes to appreciate Joe Frank's dense audio universe cascading out of your radio. It helps, though, because there are so many layers - of sound, philosophy, of reality-coursing through his dramas... Come to think of it, after awhile, you won't want to close your eyes because in Frank's short stories for the radio, the tension and pathos are as enveloping as they are intriguing... "
The Washington Post
"The perfect Joe Frank experience is driving down an unfamiliar highway alone at night. You turn on your radio and are greeted by a lush, resonant voice that lulls you into a seemingly simple tale of love: a man at an airport saying goodbye to his wife over the phone, which abruptly turns into a vision of betrayal, alienation and death - often from obscure disease - all brought about by some profound personal failing, which is redeemed at the last moment by a nearly transcendent moment of joy."
"Radio's Prince of Darkness Rules the Freeways. [Frank is] alternately dark, bizarre and very funny - but always hard to turn off."
The Wall Street Journal
"In an arena in which formats are sacrosanct, Joe Frank has charted new territory with his literate, frequently bizarre, wildly funny essays and parodies... He can be funny, poignant, serious and off the wall - sometimes within the framework of the same piece. Unique is one word to describe it. Brilliant is another."
Los Angeles Times
"The world of Joe Frank is a wildly entertaining surrealistic universe...hilarious, unsettling, zany, powerful, moving and perhaps the most unique, inventive and effective use of radio since Orson Welles convinced much of America there was a War of the Worlds."