"Radio's Prince of Darkness Rules the Freeways. [Frank is] alternately dark, bizarre and very funny - but always hard to turn off."
The Wall Street Journal
"Frank has created a series of dead-pan radio monologues so sharp and intelligent that during the quiet bits you can almost hear God taking notes."
The UK Guardian
"Frank [is] the apostle of radio noire... His free-form radio dramas... are sometimes moving, often funny, but always manage to confound the listeners' expectations. A maestro of verité, Frank exploits the power of radio..."
"Mixing bizarre monologues, multi-sequenced dramatic vignettes and mock-solemn critiques, [Joe Frank's work] is both sophisticated and surreal. A sizable cult has been growing around Frank...a rare radio talent."
The Village Voice
"To me, he's what radio is really for... his show makes me think he's getting to some great truth... so completely captivating and just unlike anything else."
David Sedaris, writer
"[Frank] travels in the emotional landscape of Bergman and Fellini; there's a tension and sense of mystery halfway between Kafka and Chandler... and a satiric edge worthy of Firesign Theatre and Woody Allen... No one else in radio is doing what Frank does."
The Washington Post
"In an arena in which formats are sacrosanct, Joe Frank has charted new territory with his literate, frequently bizarre, wildly funny essays and parodies... He can be funny, poignant, serious and off the wall - sometimes within the framework of the same piece. Unique is one word to describe it. Brilliant is another."
Los Angeles Times
"Joe Frank is an invaluable warrior who stands in defense of our fears, our vanities and our forever-eroding sense of ourselves. He transforms the everyday banality of the human comedy into an inspired weirdness that feeds on pathos and irony, and feels a lot like revelation. Sartre would have called it nausea; Frank makes it art."
"The world of Joe Frank is a wildly entertaining surrealistic universe...hilarious, unsettling, zany, powerful, moving and perhaps the most unique, inventive and effective use of radio since Orson Welles convinced much of America there was a War of the Worlds."
The L.A. Weekly
"The perfect Joe Frank experience is driving down an unfamiliar highway alone at night. You turn on your radio and are greeted by a lush, resonant voice that lulls you into a seemingly simple tale of love: a man at an airport saying goodbye to his wife over the phone, which abruptly turns into a vision of betrayal, alienation and death - often from obscure disease - all brought about by some profound personal failing, which is redeemed at the last moment by a nearly transcendent moment of joy."