"Although commonly categorized as radio drama, Frank's work bears very little resemblance to the stagy artifice of plays performed over air. Frank wanders deeply into the unconscious, producing Dionysian stories with a fairy-tale intensity whose effect is often funny, disturbing and deeply memorable."
"Mixing bizarre monologues, multi-sequenced dramatic vignettes and mock-solemn critiques, [Joe Frank's work] is both sophisticated and surreal. A sizable cult has been growing around Frank...a rare radio talent."
The Village Voice
"You don't have to close your eyes to appreciate Joe Frank's dense audio universe cascading out of your radio. It helps, though, because there are so many layers - of sound, philosophy, of reality-coursing through his dramas... Come to think of it, after awhile, you won't want to close your eyes because in Frank's short stories for the radio, the tension and pathos are as enveloping as they are intriguing... "
The Washington Post
"Frank wanders deeply into the unconscious, producing Dionysian stories with a fairy-tale intensity whose effect is often funny, disturbing and deeply memorable."
"The world of Joe Frank is a wildly entertaining surrealistic universe...hilarious, unsettling, zany, powerful, moving and perhaps the most unique, inventive and effective use of radio since Orson Welles convinced much of America there was a War of the Worlds."
The L.A. Weekly
"A strange, different, wondrously offbeat, frequently hilarious, altogether brilliant piece of work..There's never been anything quite like it...Joe Frank is an audio Fellini."
The Los Angeles Times
"Frank [is] the apostle of radio noire... His free-form radio dramas... are sometimes moving, often funny, but always manage to confound the listeners' expectations. A maestro of verité, Frank exploits the power of radio..."
"Radio's Prince of Darkness Rules the Freeways. [Frank is] alternately dark, bizarre and very funny - but always hard to turn off."
The Wall Street Journal
"Joe Frank is an invaluable warrior who stands in defense of our fears, our vanities and our forever-eroding sense of ourselves. He transforms the everyday banality of the human comedy into an inspired weirdness that feeds on pathos and irony, and feels a lot like revelation. Sartre would have called it nausea; Frank makes it art."
"[Joe Frank is] the most imaginative, literate monologist in radio today... If a microphone could capture the nether recesses of the modern psyche, it would sound like Frank's absurd comical excursions: Radio Vertigo."