"Frank [is] the apostle of radio noire... His free-form radio dramas... are sometimes moving, often funny, but always manage to confound the listeners' expectations. A maestro of verité, Frank exploits the power of radio..."
"[Joe Frank is] the most imaginative, literate monologist in radio today... If a microphone could capture the nether recesses of the modern psyche, it would sound like Frank's absurd comical excursions: Radio Vertigo."
The Village Voice
"[Frank] travels in the emotional landscape of Bergman and Fellini; there's a tension and sense of mystery halfway between Kafka and Chandler... and a satiric edge worthy of Firesign Theatre and Woody Allen... No one else in radio is doing what Frank does."
The Washington Post
"I came upon Joe Frank's work by accident a number of years ago while driving to my home in the Napa Valley late at night. I couldn't believe the originality and sheer brilliance of what I was hearing. From that moment on I became a dedicated Joe Frank fan. Joe Frank's shows raise the most interesting and enduring questions in new and original ways and are consistently thought-provoking and very funny."
Francis Ford Coppola, filmmaker
"A strange, different, wondrously offbeat, frequently hilarious, altogether brilliant piece of work..There's never been anything quite like it...Joe Frank is an audio Fellini."
The Los Angeles Times
"The world of Joe Frank is a wildly entertaining surrealistic universe...hilarious, unsettling, zany, powerful, moving and perhaps the most unique, inventive and effective use of radio since Orson Welles convinced much of America there was a War of the Worlds."
The L.A. Weekly
"Radio's Prince of Darkness Rules the Freeways. [Frank is] alternately dark, bizarre and very funny - but always hard to turn off."
The Wall Street Journal
"Joe Frank is an original whose work has helped form some of the most eccentric, dark and interesting parts of public radio's personality. "
Terry Gross, Fresh Air
"Joe Frank is an invaluable warrior who stands in defense of our fears, our vanities and our forever-eroding sense of ourselves. He transforms the everyday banality of the human comedy into an inspired weirdness that feeds on pathos and irony, and feels a lot like revelation. Sartre would have called it nausea; Frank makes it art."
"Although commonly categorized as radio drama, Frank's work bears very little resemblance to the stagy artifice of plays performed over air. Frank wanders deeply into the unconscious, producing Dionysian stories with a fairy-tale intensity whose effect is often funny, disturbing and deeply memorable."