"Frank [is] the apostle of radio noire... His free-form radio dramas... are sometimes moving, often funny, but always manage to confound the listeners' expectations. A maestro of verité, Frank exploits the power of radio..."
"A strange, different, wondrously offbeat, frequently hilarious, altogether brilliant piece of work..There's never been anything quite like it...Joe Frank is an audio Fellini."
The Los Angeles Times
"In an arena in which formats are sacrosanct, Joe Frank has charted new territory with his literate, frequently bizarre, wildly funny essays and parodies... He can be funny, poignant, serious and off the wall - sometimes within the framework of the same piece. Unique is one word to describe it. Brilliant is another."
Los Angeles Times
"Joe Frank is an original whose work has helped form some of the most eccentric, dark and interesting parts of public radio's personality. "
Terry Gross, Fresh Air
"Frank wanders deeply into the unconscious, producing Dionysian stories with a fairy-tale intensity whose effect is often funny, disturbing and deeply memorable."
"Joe Frank is a singular voice in radio. What he has done is hypnotic, psychotic, neurotic, sad, terrifying, and some of the funniest stuff I have ever heard anywhere. I can't think of another radio performer who has come close to achieving this kind of alchemy."
Charlie Kaufman, filmmaker
"The perfect Joe Frank experience is driving down an unfamiliar highway alone at night. You turn on your radio and are greeted by a lush, resonant voice that lulls you into a seemingly simple tale of love: a man at an airport saying goodbye to his wife over the phone, which abruptly turns into a vision of betrayal, alienation and death - often from obscure disease - all brought about by some profound personal failing, which is redeemed at the last moment by a nearly transcendent moment of joy."
"The world of Joe Frank is a wildly entertaining surrealistic universe...hilarious, unsettling, zany, powerful, moving and perhaps the most unique, inventive and effective use of radio since Orson Welles convinced much of America there was a War of the Worlds."
The L.A. Weekly
"[Frank] travels in the emotional landscape of Bergman and Fellini; there's a tension and sense of mystery halfway between Kafka and Chandler... and a satiric edge worthy of Firesign Theatre and Woody Allen... No one else in radio is doing what Frank does."
The Washington Post
"Frank has created a series of dead-pan radio monologues so sharp and intelligent that during the quiet bits you can almost hear God taking notes."